Living and working first in Paris, Isabelle Vigier (France,1963) based herself in Amsterdam in 1995, where she combines her activity as a graphic designer and as a visual artist using mainly photography and video. She does art direction and design for various art organisations and dutch based publishers (Sonic Acts, De Balie a.o) and has on-going collaborations with music labels such as Unsounds and Ramboy, or the dance company Magpie. - In 2000 the anniversary book “Bimhuis 25” (Ed. Bimhuis) was awarded the 1st prize for non-corporate design in the Donside International Competition. - in 2001 her work for Jonathan Coe "De Rotter's club" (Ed. Meulenhoff), was nominated for the best book cover of the year by the "Beste Verzorgde Boeken" - in 2002 her series of posters for Magpie music dance company was nominated best theatre and performance posters of the year by the Nederlands Theater Instituut. Her visual work has been exhibited in France, Holland, eastern Europe, and the U.S. In 2001, “Ocean view” (photography - 36 pages black and white) was published by Uitgeverij Knust, Holland. "Masako" (2003) is a video installation for 2 screens and a space, that was commissioned and premiered in Austin, Texas, at the creative resarch Lab, in september 2003. Her practice with photography and video include performance related project such as "Scape" (80'- 2002, with film maker Joost rekveld), for a musical composition by Yannis Kyriakides, "Horizon" (18'-photo-video-2001), for "Yda" (for piano/harpsicord and electronics) by Yannis Kyriakides, or "L'astronaute" (2004), a live performance with improvisation from prepared material based on a text by spoken word artist Anne-James Chaton, with Andy Moor (guitar) and Yannis Kyriakides (electronics). She has worked with dance projects, including live projections during improvised performances by Magpie Music Dance Company (in collaboration with Eileen Standley). In collaboration with choreographer Martin Sonderkamp she made "Correspondance", (40'- video - dance - 2002).